Tuesday, 12 September 2006

Night Flight Mike, Part Sixteen


Night Flight Mike is a novella of twenty short chapters, posted over twenty business days -- by me, your firm host, Cheeseburger Brown. Readers who may be subject to access surveillance or content filtering please be advised that this work of fiction contains profanity and describes adult situations, but is relatively free of political subversion.

Button, button -- who's got the button?

And now, today's chapter:



16/20

Three trips between the two bars were all the patience Mother had for finding Father so she gave up in favour of communing with a frosty glass of white wine. She felt like a loser. Everyone around her seemed to be mingling in groups or couples, and she sat alone on a high stool and tried not to look at herself in the mirror behind the bar.

She had gussied herself up for Jules and now he was nowhere to be found. Irritated and suddenly self-conscious she did up another button on her blouse and wondered whether even her husband could be excited by such a brazen view of her aging bosom where the once smooth skin of her cleavage had been replaced gradually by a series of fold-lines like a geographic contour map.

Without really thinking about it she allowed her glass to be refilled when it had been drained. Without really feeling anything she bummed a cigarette from a sad drag queen, and lit it with a cardboard bar match.

Smoking a cigarette made her feel seventeen: the warm, woody smell in her nostrils, the poses she unconsciously struck. She downed another glass of white wine and felt herself smile a bit despite everything.

Twice she almost got off her stool to again search the upstairs bar for Jules. On the third attempt she slipped off and found herself wandering to the dance floor instead, her hips already knocking sideways playfully in time to the pounding beat. "Just one song," she told herself.

Three songs later she had unbuttoned her blouse again and by the fifth song she had a dance partner -- a lithe Somali with fluffy hair and an unrepentantly sexual intensity burning in his cocoa eyes. He moved like an athlete, pushing himself closer to her by degrees, and then she was in his surprisingly strong arms.

"I can see you need to dance," he said into her ear, lips brushing the lobe.

"I do, I do," she agreed.

"What's your name, beautiful lady?"

"Kate," said Kate.

"My name is Asad," said the Somali. "You move like a bird, Kate."

"A pigeon," countered Kate.

"A swan," smiled Asad.

She had barely acknowledged the urge to touch his thin, graceful neck before she found herself doing so, tracing her fingers down a rivulet of sweat past his adam's apple and along his clavicle. She smiled up at him nervously and he grinned, then traced his own finger down her neck and drew a line of heat to her exposed sternum. Before she could gasp he slipped his hand beneath her brassiere and cupped her left breast gently, the nipple hardening instantly against his skin.

"Oh!" she said in a small voice.

"Ha," he agreed languorously.

Kate considered various forms of resistance: flight, combat, argument -- then decisively took Asad's left hand and put it down her pants. She shifted her pelvis to help his finger find a suitably moist angle of attack. Asad took a turn at surprise. Kate laughed at his expression and coaxed him onward, pressing against him as they swayed in time to the thumping rhythm.

Kate thought it was a really good song.

Her anxieties dissolved away with a flighty lurch in her belly -- bills, work, the household, the gulf of physical intimacy with her husband -- and she found herself feeling unbounded. In a feat of uncharacteristic immodesty she remembered distinctly thinking that she had no qualms about the possibility of the other people on the dancefloor catching sight of her pubic hair peeking above her open fly. In fact, she reveled in the display.

As the song climaxed so did she. She closed her eyes and saw a white energy radiating up through her body, out through her head and into space, leaving her numbed and buoyant. When she opened her eyes again she was dazzled by multicoloured lights and she sighed gratefully. She was unbreakable.

"Ho my," breathed Asad, a sheen of sweat on his brow.

"Thanks for the dance," said Kate.

6 comments:

Simon said...

Um, I'd almost feel guilty if a left a comment. The poor girls up in the hotel room are the only ones not breaking out of respective comfort zones on this special night. Four more chapters and I'm thoroughly engaged.

Mark said...

That's one hot momma.

I like Simon's comment, and find it interesting that those with foreign accents have been so instrumental in pushing the characters out of their respective comfort zones.

Cheeseburger Brown said...

Dear Mark,

To be frank, I'm from Toronto (statistically the most multicultural city in the world) so I don't think of the accents as foreign. Just colourful.

Several years ago I was developing an animated television show for PBS and the CBC (don't bother looking for it, it never went to air), and during the part where committees of fat people tore through my scripts I was asked a very peculiar (to my mind) question by one of the American network representatives.

He said, "Why is such-and-such character East Indian?"

I blinked. "I'm not sure I'm understanding your question, because the only answer I can think of is that his parents were East Indian."

Netrep: "No no no, what I mean is why a visible minority? What are you trying to say with the character?"

"I'm trying to say he's from India."

"Why India?"

"Because I grew up in this city, and lots of people I know are East Indian. I like East Indians. Good food, neat music, quirky humour."

"Yes, but what is the political relevance?"

"Let me ask you this: why is nobody asking these questions about the white characters? If we need to justify ethnicity, why not theirs?"

"So he's East Indian as a kind of anti-racist statement?"

"No."

We never did reach an understanding. What the poor fellow just couldn't seem to glean was that, from my point of view, featuring a character with Indian origins made no inherent statements about India, Canada, racism, or immigration. Dude just happened to be brown.

So too here: there are a lot of characters of varied ethnicity because when I go down to hang in the core that's one of the most interesting parts -- everybody's from everywhere.

There is no agenda. I'm just reflecting my experiences growing up in Canada.

Love,
Cheeseburger Brown

Simon said...

CBB, you seem to be capturing a lot of that sentiment - and two divergent ways of dealing with it - in the characters of the parents. Paternal indignance and frustration, maternal acceptance and mollification (of the indignant husband).

Moksha Gren said...

Good observation, Simon. Bianca, the "problem child" is in the hotel asleep. The parents and Mike are out going crazy. I'm not sure how India fits into this observation, so far she's pretty much what you'd expect. But there are still four more chapters for Cheeseburger to throw in some, India goes wild twist.

April Girl said...

Ha!


Itsurewas!


Thank you: ) Am I going to fail my exam thanks to your deconstruction of a cheeseburger? Oh I just might.